Thursday, October 3, 2024

ALBUM REVIEW: Klogr - Fractured Realities

Klogr

Klogr, pronounced ‘Key Log Are’, are an Italian/American alternative/industrial band. Fractured Realities is their fourth album and first since 2017. 

Opening track Early Wounds provides a strong start, with solid punchy riffs flowing into a more mellow verse. The industrial influences create the backbone to many of the songs here and this is a fine example. Gravity Of Fear continues with a similar theme, containing a solid groove that will have you tapping along. Face The Unknown has a distinctly heavier feel to it. Stronger and angrier than I expected! 

Klogr

One Of Eight
was the first track released and builds up the more aggressive side again to great effect. It’s followed by Lead Wings. The tempo eases things down again, with plenty of melody and an excellent guitar solo standing out. Unspoken Words combines everything I’d heard so far, it has the appeal of all the previous songs running through it and is my early favourite! The industrial feel returns on Hysterical Blindness. A good strong vocal really carries this. Waking World and Whale Fall both have a more chilled feel and vibe, bringing the album to an end. 


All in all, a well-produced album and a welcome return. Catch them live in mid-December in the UK as they support Evergrey.



Fractured Realities is out on 31st October via Zeta Factory
Review by Dez Coley

LIVE REVIEW: The Return of the Crazy World of Arthur Brown - The Earl Haig Memorial Club, Cardiff 2nd October 2024

CWOAB

Even if you have experienced it, it's truly difficult to capture the right words to describe an Arthur Brown show. Certainly, the crazy world he’s always declared it seems apt, given the state of things today. 

Arthur Brown

Surely a totally different place to when Arthur Wilton Brown entered the world, way back in 1942. His first album appeared in 1968, yes, 56 years ago and tonight, although there are several fans tonight who have been with him since those early days, few can match the octogenarian’s vibrant energy through a 90-minute set that spans the generations. The spread of ages in the audience bears testament to the man's enduring appeal.

He's backed by an incredibly tight band, who unsurprisingly, do much of the heavy lifting. They extend and elongate, but at no time do they detract from Brown who remains the central focus. Dan Smith’s keyboard skills astound, and he’s no slouch with some searing lead work. Anchoring the machine, Sam Walker adds much with his percussion and drumming whilst multi-talented Tim Mortimer adds not just the low end but many other bits of musical delight. 


Tonight, it’s fair to say he’s on inspired form. His vocal range shows no signs of stopping, switching from lower rolling parts to almost falsetto pitch, all in tune and in keeping with the music that he has crafted over so many years. Yes, it’s Fire that always gets the attention, but he and the band are clever, switching the arrangements as he has done for many years. It’s Fire, but with a twist or two. It’s clever music, sometimes masked by the flamboyant costume changes that dominate the show. Child of My Time draws gasps of delight, whilst Sunrise and Time Captives from Arthur Brown’s Kingdom Come bring knowing smiles and gasps from those who may be here for the first time. Although it’s a gig, it’s really a show that we are treated to. Ample servings of psychedelic rock swirls in perfect choreography with the impressive backing images which are neatly intertwined with each song. There’s poetry, as Brown pours forth prose that carries messages as relevant today as when they were first delivered. We get hard rock, reggae, disco, in fact a smorgasboard of styles – Brown cannot be pigeonholed after all. 


Underlying all of this is the fact that Arthur Brown is 82 years of age. He is in fantastic shape, needs no autocue and maintains a vocal style still unique today. Yes, age is just a state of mind, but it must be said. There may be less craziness in the shows these days, certainly little that shocks, but Brown’s world provides an escape from the hum drum, an opportunity for fantasy whilst still absorbing messages of relevance. Perhaps, before its too late, you should also witness the Crazy World of Arthur Brown. It’s a place where maybe, only the sane people visit.

Review and photos by Hutch
Find the current tour dates at The God of Hellfire

ALBUM REVIEW: The New Roses - Attracted to Danger

The New Roses - Attracted to Danger

They may do nothing ground-breaking, but there’s a feel-good vibe to the latest album from Germany’s The New Roses. Full of singalong chorus, gentle melodies and underpinned with a hard-edged riff heavy delivery, this is an album that should have been released at the start of the summer when those warmer and lighter evenings deserved some solid hard rock. Some may only know the band from a song featured on Sons of Anarchy (that song was Without a Trace) but in the eight years that the band has been plying their trade they’ve built a solid reputation both on record and in the live setting. 

This release is jam packed with anthemic fist pumping songs, from the influential opener When You Fall in Love through to their solid cover of Neil Young’s Rockin’ in the Free World, one which no doubt will feature on their forthcoming UK and European tour. Ten tracks that all give something a little different, whilst all being welcomed like old friends. Clean vocals, tasty hooks and a classy vibe; it’s all here with a blend of melodic hard rock that is guaranteed to get inside the ears and stay there. 

The New Roses

The title track skips along at pace, the thicker heavier riffs of Four Wheels will please those who want a bit more oomph with their music, whilst Hold Me Up features a duet with Gill Montgomery of The Hot Damn and brings a different style to the proceedings. With a decent production, catchy tracks and several songs that will be easily singalongs live, Attracted to the Danger is a fine album for those who want their hard rock with plenty of harmony and melody.


Attracted to Danger is out on 4th October via Napalm Records
Review by Hutch

LIVE REVIEW: Riffolution Festival 2024 - Manchester Club Academy, 28th & 29th September

Riffolution Festival

We are back with the review of the earlier part of Day 1 of the final Riffolution Festival. 

Grand Elder

Grand Elder
have the pleasure of opening this year's  Festival. The crowd is healthy, and the band seem ready for it. They entertain with their stoner rock soaked tunes. The atmosphere is party-like and with singer Chris Hodgson dancing around on stage, this only serves to amplify this feeling. With their music seamlessly running from psychedelic to rock to doom Grand Elder are very enjoyable as always, with the smiles on stage mirrored in the crowd proving they are a good choice to open this day. 

The bounce of Dunes is next for us. This expert trio burst into their lavish riffs and hooky grooves with style and ease. Dunes’ songs have a warm fuzzy stoner rock vibe that please both me and the crowd. You can see that some audience members are trying Dunes for the first time, and some like me are familiar with their work. All are bobbing heads with glee and a riff face.
Dunes

The Saturday afternoon crowd remains large, and it’s not until there are calls for the lights to be dimmed before the band realise this. The excellent new single Riding the Low gets its turn and goes down as well as the rest of their material. Dunes are a top live band to witness, and they did not disappoint this time either. 

Sgt Thunderhoof

The Stunningly beautiful sounding Sergeant Thunderhoof take their places on stage and their music is as beguiling as ever. The vocal talents of Dan Flitcroft fill the room while Mr Mark Sayers' guitar seems on the edge of bursting into emotional flames. As always, this band entertain with their songs of English psychedelic stoner bliss. The crowd has swelled, and the atmosphere is joyous. This short festival appearance sees the maiden outing of a new song from their forthcoming album, and it fits right in with what you would hope for. As all of us festival and gig goers know, the sign of a spectacular set is the fact the toilets are heaving at the end of the show. No one wanted to leave while the band were performing. [I'm not sure about this - if you need to pee, you need to pee. Says more about Thrashtash if you ask me - H]

Ritual King

Ritual King
is a late addition to the Riffolution list but a very welcome one. Another band I have seen several times and have never been disappointed by. A band who’s album we have also discussed on our podcast, with 2023’s Infinite Mirror managing the impossible and impressing the miserable one. It’s not difficult to understand why. The musicianship and song writing on show is up there with the best. Their tunes are a little more psychedelic than others on the bill, but it merges well and solidly with the rock already there. With longer tunes and extensive soaring guitar solos, the chilled-out vibe is infectious. 

The experimental vibe of Dirty Sound is a little less appealing to me. There is definitely talent on show with this band, but the tunes are a little too disjointed for my taste. Some of the tunes and song writing is very clever, but none of them get their hooks into me. Many a person is on the other hand enjoying this set with pint in hand. We can’t all like the same thing. 

oht

Unfortunately, due to puncture on their van, Old Horn Tooth had a shortened set, and only had time to play a song and a bit! They literally turned up, tuned up and went for it. That might sound a very short set, but it was nearly half an hour!! The band are well known for their epic doomy tunes that often last fifteen minutes plus. Opening with No Salvation from their latest album Mourning Light, the trio hit their groove and the crowd was hooked. There's an energy with these guys and they all look and sound well connected onstage together. I've always liked Ollie's playing style, bass sling down low. Similar to Dan Lilker but lower still!! We get teased with the intro to True Death, but they definitely didn't have enough time to play that!!

Reviews and photos by Neil 'Thrashtash' Bolton and Dez Coley


Wednesday, October 2, 2024

LIVE REVIEW: Riffolution Festival 2024 - Manchester Club Academy, 28th & 29th September

Riffolution

Starting on 2017, Riffolution Festival has grown year on year, with 2024 promising a stellar line-up. With a weekend ticket a mere £35 for a smorgasboard of riff-heavy monsters, some of the Miserable Metal Mind team were there for a huge dose of fuzzed up goodness. 

Mars Red Sky

Saturday headliners were Mars Red Sky from France who started their set with Slow Attack. I hadn't seen them for 8 years, and it worth the wait. With the Frenchmen a lot more chilled than the earlier bands, it was the perfect end to the day as they cruised through their hour long set with tracks from many of their albums. It appeared that playing in a trio was the theme for the day as Mars Red Sky are another three-piece. They included one of my favourites, Apex 3 mid set and there was a lot of appreciation for them amongst the crowd. Other highlights in the eight-song set included Maps of Inferno and The Final Round, with chat kept to a minimum so they could play as many songs as possible. Closing the set with Strong Reflection, I reflected that they had generated an excellent reception with the appreciative audience. Here's hoping it's less than eight years before I get to see them again!! 

Wet Cactus

I’d only discovered Wet Cactus a few weeks ago and Wow! I was amazed by what I heard! The band hail from Cantabria in Spain and brought an awesome sound and chemistry to the stage. A genuine spark between them. Most of the set came from their latest album Magma Tres, and they came very close to being my band of the weekend. Opening with Solar Prominence, it seems that a lot of the crowd shared my views of them and quickly showed plenty of admiration. 

Wet Cactus

As they played through the set, you could sense the crowd were loving what they heard with loud cheers greeting them between songs. Barren Landscape and Profound Dream were also drawn from Magma Tres, whilst older gems like Jim’s Song from the 2015 eponymous EP also got an airing. By the end they had captivated the audience. I fully recommend you listen to these and go and see them. You won't be disappointed! 

Witchsorrow were yet another trio and were probably the heaviest band of the day as they stormed through their 40 minutes set with songs covering their full discography. Opening with Aurora they barrelled through with some excellent guitar work. Void and Hexenhammer quickly followed, with little chat, the Farnborough outfit preferring to let the music do the talking. Throne and Gallows continued the set, with singer Nick ‘Necroskull’ Ruskel thanking the crowd for their support before ending the set with Demons. An excellent performance by them and here's hoping that there's a new album coming from them soon.

Reviews and photos by Dez Coley
Find out more about the festival at Riffolution Promotions

ALBUM REVIEW: Klogr - Fractured Realities

Klogr, pronounced ‘Key Log Are’, are an Italian/American alternative/industrial band. Fractured Realities is their fourth album and first s...